It's Monday and that means short stories! Today's post, unfortunately, will follow a good news/bad news format. After two weeks of short story Tuesdays, the good news is that I'm writing this post on Monday. More good news - I bought The Best American Short Stories of
the Century edited by John Updike. It was purely an impulse purchase, but now I have a fresh, new supply of stories. And finally, I sat down and read two stories as soon as I got home.Now for the bad news...I didn't like either story. The first story is The Other Woman by Sherwood Anderson. It appeared in The Little Review in 1920 and opens:
"I am in love with my wife," he said - a superfluous remark, as I had not questioned his attachment to the women he had married. We walked for ten minutes and then he said it again. I turned to look at him. He began to talk and told me the tale I am now about to set down.
What follows is the brief account of an encounter that takes place shortly before the man's wedding and how it has affected him. He had never before spoken to the 'other woman' (who is ten years older), yet she captured his imagination. I'm not sure why I read this story, since I didn't really like Anderson's Winesburg, Ohio either...perhaps it was the title.
Next I read E.B. White's The Second Tree From the Corner. This story appeared in The New Yorker in 1948. It opens:
"Ever had any bizarre thoughts?" asked the doctor.
Mr. Trexler failed to catch the word. "What kind?" he said.
"Bizarre," repeated the doctor, his voice steady. He watched his patient for any slight change of expression, any wince. It seemed to Trexler that the doctor was not only watching him closely but was creeping slowly toward him, like a lizard toward a bug.
There are several more sessions. Trexler tends to identify with the doctor, virtually transferring himself to the doctor's seat. The story ends with Trexler's thoughts when the question "What do you want?" is posed. I've never read anything else E.B. White has written for adults, but I doubt I'll be searching for more.
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