Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, January 1, 2015

A Poem for the New Year




New Year Resolve
by May Sarton

The time has come
To stop allowing the clutter
To clutter my mind
Like dirty snow,
Shove it off and find
Clear time, clear water.

Time for a change,
Let silence in like a cat
Who has sat at my door
Neither wild nor strange
Hoping for food from my store
And shivering on the mat.

Let silence in.
She will rarely speak or mew,
She will sleep on my bed
And all I have ever been
Either false or true
Will live again in my head.

For it is now or not
As old age silts the stream,
To shove away the clutter,
To untie every knot,
To take the time to dream,
To come back to still water.

"New Year Resolve" by May Sarton, from Collected Poems 1930-1993.


I posted this poem a couple of years ago, but it's worth reconsidering...

The photo was taken 8/31/14 on my iPhone 4S - no filters or editing.

Thursday, June 12, 2014

Summer Shorts '14 Blog Hop: Amy Rubinate, Cassandra Campbell, and Kathe Mazur, Sonnets 2, 4, and 6 from Renascence & Other Poems by Edna St. Vincent Millay


June is Audiobook Month, and to celebrate, a group of more than 40 professional narrators has teamed with Going Public and Tantor Media by offering Summer Shorts ‘14, an audio collection of poetry, short stories and essays. All sales proceeds from the collection go to ProLiteracy, a national literacy outreach and advocacy organization.

All month you can visit Going Public and various blogs to hear 1-2 stories stream for free on their release day. You can purchase the whole collection at Tantor Media and you’ll receive 20 additional tracks while supporting a great cause.

Summer Shorts '14 is focusing on poetry this week, and I'm thrilled to be hosting a 2-day feature on Edna St. Vincent Millay. Yesterday I introduced you to Kathe Mazur and shared her performance of "An Ancient Gesture".

Today, Kathe is back, along with Cassandra Campbell and Amy Rubinate. It's such an honor for me to host this ultra-talented group of narrators at Lakeside Musing, and even more exciting to have them reading sonnets by a favorite poet.

One of the reasons I love poetry is for its ability to elicit such deep, personal responses from readers and listeners. I became interested in the work of Edna St. Vincent Millay, in particular, about five years ago when I discovered the marker pictured below on top of Mt. Battie. The view looking down on Camden, Maine was surely a source of inspiration for Millay's early work.


I asked the narrators to share thoughts on Millay's poetry.

Amy Rubinate:
I have always appreciated Millay's Sonnet 2, "Time Does Not Bring Relief; You All Have Lied," for its simple honesty and raw, searing lament. I first discovered it in high school, a time when heightened emotions were my daily diet, and it felt true and immediate. Years later, a step removed, the poem still strikes me with the same intensity. Almost a century after its publication, it still has the intimate quality of a woman sharing her sorrow directly with the reader, and in that way seems very modern. I was so pleased to be able to perform this poem!
Kathe Mazur:
I was working in a summer stock theatre at 15 when one of the actresses there, Ingrid Sonnichsen, took me under her wing.  She gave me The Collected Works of Edna St. Vincent Millay, and its that dog-eared and Post-It covered copy that I am still reading today. I devoured it. Millay's writing cut right to the heart of of me. The size of her appetite for life and for feelings, for love and loss, and her wit, brilliance and accessibility made her the perfect writer for me to be curling up with, and as my life went on, that never changed. But my understanding of the poems deepens as I understand more about love and loss. What a woman, what a writer. 
TODAY'S RELEASE:
Sonnets 2, 4, and 6 from Renascence & Other Poems by Edna St. Vincent Millay performed by Amy Rubinate, Cassandra Campbell, and Kathe Mazur




ABOUT THE NARRATORS

Amy Rubinate has narrated over 140 audiobooks, and has won multiple AudioFile Earphones Awards. Her books have been selected as Booklist's Top 10 Historical Fiction and Booklist Editor's Choice Media 2012. She has a degree in oral interpretation of literature and has won state and national awards for poetry reading. A voice actor and singer for over a decade, Amy has narrated many interactive children's books and provided voices for toys and video games. Her one-woman cabaret shows have been performed in New York and San Francisco. Her work has been featured in the San Francisco Chronicle and reviewed in the New York Times.



Cassandra Campbell has recorded and directed over 400 audiobooks. A ten-time Audie Award nominee, she has won twice: for non-fiction in 2011 for The Immortal Life of Henrietta Lacks, and as one of four readers of The Help, which won both best fiction and best Audio book in 2010. She has been named a best voice by AudioFile Magazine for the past four years, as a voice of the year for both Publisher's Weekly and Library Journal in 2009 and 2010. She has received nearly two-dozen AudioFile Earphone's Awards and many starred reviews. In addition to her voice over work in both audio books and commercials, she continues to work as a theatre director and actor: This summer she will direct As You Like It for the Independent Shakespeare Company in Los Angeles.


Käthe Mazur ( pronounced "Kay-ta"),is best known on television for the role of DDA Andrea Hobbs that she plays on both The Closer and it's hit spin-off, Major Crimes. She has recorded over 100 audiobooks, including the multi-award winning Quiet: The Power of Introverts in a World that Can't Stop Talking, by Susan Cain, and The Nanny Diaries by Emma McLaughlin and Nicola Kraus, and the works of Nora Ephron, Tess Gerritsen and Jacquelyn Mitchard, among many others. She also has the distinction of having recorded both Hillary Clinton's and Anne Coulter's books in the same month. She has won multiple Earphone awards, is an Audie nominee and been on all sorts of great Best Books lists. She will appear soon on American Sniper, directed by Clint Eastwood, and has worked extensively as an actress in film, theater and television, including The Mentalist, Grey's Anatomy, Private Practice, Criminal Minds; Suspect Behavior, ER, and Monk. She lives in Los Angeles with her husband and son.

SUGGESTIONS FOR FURTHER READING:
by Edna St. Vincent Millay

by Nancy Milford

by Erika Robuck
(fiction)

****************************************************************
Stay on top of daily releases by following the Complete Blog Hop Schedule at Going Public.

Yesterday's stops:
Kathe Mazur - An Ancient Gesture by Edna St. Vincent Millay at Lakeside Musing
John Lee - The Stolen Child by W.B. Yeats at The Literate Housewife

Also today:
Colleen Marlo - How Do I Love Thee? by Elizabeth Barrett Browning at AudioGals

Tomorrow:
Katherine Kellgren - Father William by Lewis Carroll at Overreader
Carrington MacDuffie - Al's Boy by Carrington MacDuffie at Beth Fish Reads

Wednesday, June 11, 2014

Summer Shorts '14 Blog Hop: "An Ancient Gesture" by Edna St. Vincent Millay Read by Kathe Mazur


June is Audiobook Month, and to celebrate, a group of more than 40 professional narrators has teamed with Going Public and Tantor Media by offering Summer Shorts ‘14, an audio collection of poetry, short stories and essays. All sales proceeds from the collection go to ProLiteracy, a national literacy outreach and advocacy organization.

All month you can visit Going Public and various blogs to hear 1-2 stories stream for free on their release day. You can purchase the entire collection at Tantor Media and you’ll receive 20 additional tracks while supporting a great cause.

Summer Shorts '14 is focusing on poetry this week, and I'm thrilled to be hosting a 2-day feature on Edna St. Vincent Millay. Today it is my pleasure to welcome Kathe Mazur to Lakeside Musing and to share with you her performance of "An Ancient Gesture".

People come to poetry at various times of life and for a variety of reasons. I asked Kathe to talk about her choice of poems for this project.
I was working in a summer stock theatre at 15 when one of the actresses there, Ingrid Sonnichsen, took me under her wing.  She gave me The Collected Works of Edna St. Vincent Millay, and its that dog-eared and Post-It covered copy that I am still reading today. I devoured it. Millay's writing cut right to the heart of of me. The size of her appetite for life and for feelings, for love and loss, and her wit, brilliance and accessibility made her the perfect writer for me to be curling up with, and as my life went on, that never changed. But my understanding of the poems deepens as I understand more about love and loss. What a woman, what a writer. 




Poem Summary:
An Ancient Gesture: during the 20 years when her husband, Odysseus the King, is away and she knows not where he is, Penelope is besieged by suitors who want to take his place. She puts them off by pretending to weave a burial shroud for her Father-In-Law, Laertes, and tells her suitors she won't re-marry until it's finished. She weaves it all day, and takes it apart all night in secret, so that she can stay loyal always to Odysseus. The speaker in this poem realizes her connection to Penelope's grief and sorrow, in her own gesture of wiping her eye. it is a universal gesture of heartbreak, that connects her back through time. Copyright 1954, 1982 by Norma Millay Ellis. Reprinted with the permission of The Permissions Company, Inc., on behalf of Holly Peppe, Literary Executor, The Millay Society, www.millay.org.

About Kathe Mazur:
Käthe Mazur ( pronounced "Kay-ta"),is best known on television for the role of DDA Andrea Hobbs that she plays on both The Closer and it's hit spin-off, Major Crimes. She has recorded over 100 audiobooks, including the multi-award winning Quiet: The Power of Introverts in a World that Can't Stop Talking, by Susan Cain, and The Nanny Diaries by Emma McLaughlin and Nicola Kraus, and the works of Nora Ephron, Tess Gerritsen and Jacquelyn Mitchard, among many others. She also has the distinction of having recorded both Hillary Clinton's and Anne Coulter's books in the same month. She has won multiple Earphone awards, is an Audie nominee and been on all sorts of great Best Books lists. She will appear soon on American Sniper, directed by Clint Eastwood, and has worked extensively as an actress in film, theater and television, including The Mentalist, Grey's Anatomy, Private Practice, Criminal Minds; Suspect Behavior, ER, and Monk. She lives in Los Angeles with her husband and son.

*****************************************************************
Stay on top of daily releases by following the Complete Blog Hop Schedule at Going Public.

Yesterday's stops:
Paul Boehmer, Mothers Ashes by Kimbery Morgan at The Oddiophile
Robin Miles, Shakespeare's Sonnets 23, 74 at The Project Gutenberg Project

Also today:
John Lee - The Stolen Child by W.B. Yeats at The Literate Housewife

Tomorrow:
Came back here for more Edna St. Vincent Millay. Amy Rubinate, Cassandra Campbell, and Kathe Mazur - Sonnets 2, 4, and 6 from Renascence & Other Poems.
AudioGals will host Colleen Marlo - How Do I Love Thee? by Elizabeth Barrett Browning.

Thursday, February 14, 2013

Famous Love Letters


From The Writer's Almanac, and just in time for Valentine's Day:


Poets Robert Browning and Elizabeth Barrett Browning carried out one of the most famous romantic correspondences in literary history. They first introduced themselves by epistolary means, and fell in love even before they had met in person. The letter that began their relationship was written by Robert in January 1845; it was essentially a piece of fan mail to esteemed poet Elizabeth Barrett. He wrote:

"I love your verses with all my heart, dear Miss Barrett — and this is no offhand complimentary letter that I shall write — whatever else, no prompt matter-of-course recognition of your genius and there a graceful and natural end of the thing: since the day last week when I first read your poems, I quite laugh to remember how I have been turning and turning again in my mind what I should be able to tell you of their effect upon me ..."

Barrett responded right away: "I thank you, dear Mr Browning, from the bottom of my heart. ... Such a letter from such a hand!"

They continued writing to each other, clandestinely, for a year and a half, and then they secretly got married in 1846. Right before the wedding, Robert mailed off to Elizabeth a letter that said: "Words can never tell you, however, — form them, transform them anyway, — how perfectly dear you are to me — perfectly dear to my heart and soul. I look back, and in every one point, every word and gesture, every letter, every silence — you have been entirely perfect to me — I would not change one word, one look. I am all gratitude — and all pride (under the proper feeling which ascribes pride to the right source) all pride that my life has been so crowned by you."

And then, the day after the wedding, she wrote to him:

"What could be better than [your] lifting me from the ground and carrying me into life and the sunshine? ... All that I am, I owe you — if I enjoy anything now and henceforth, it is through you."

During their courtship, she was composing sonnets for him, which she presented to him as a wedding gift. The sonnets were published in 1850 and include one of Elizabeth Barrett Browning's most famous love poems ever:

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right.
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints — I love thee with the breath,
Smiles, tears, of all my life! — and, if God choose,
I shall but love thee better after death.

Have you written a love letter today?

Tuesday, February 12, 2013

Tuesday Intro: Savage Beauty by Nancy Milford


"Camden, with its ring of mountains rising behind the white clapboard houses facing Penobscot Bay, made the most of its view. Nowhere else on the coast of Maine was there such dramatic natural beauty. The houses were like weathered faces turned to watch the sea. The upland meadows of ox-eyed daisies, timothy, and sweet fern, the dark green woods of balsam and fir swept to the gentle summit of Mount Megunticook, and the rock face of Mount Battie rose from the edge of the sea as if to hold it. But it was a far less generous time than the early days of shipbuilding, upon which the town's wealth had been founded. Now even the great woodsheds along the wharves were mostly abandoned, permanent reminders of the long death of shipbuilding. The wool mills looming behind the town offered scant wages and long hours. Later in her life Edna St. Vincent Millay would say she was "a girl  who had lived all her life at the very tide-line of the sea," but in the fall of 1904, she moved with her family into 100 Washington Street on the far edge of town, in a section called Millville because it was near the mills. It was the smallest house in the poorest part of town, but it was one their mother could afford when she brought her girls to Camden after her divorce."
Savage Beauty: The Life of Edna St. Vincent Millay
by Nancy Milford

I've long appreciated Edna St. Vincent Millay's poetry, but only became curious about her life after discovering this marker on Mount Battie during a family trip to Camden, Maine in 2010.


Now, almost three years later, I've finally started her biography. My plan is to read it slowly over the next couple of months.

Our view of Camden from Mount Battie:


Have you read Millay's poetry? What do you think of the intro?



Every Tuesday, Diane at Bibliophile by the Sea posts the opening paragraph (sometime two) of a book she decided to read based on the opening paragraph(s). Feel free to grab the banner and play along.

Monday, December 31, 2012

A Poem for New Year's Eve



New Year Resolve
by May Sarton

The time has come
To stop allowing the clutter
To clutter my mind
Like dirty snow,
Shove it off and find
Clear time, clear water.

Time for a change,
Let silence in like a cat
Who has sat at my door
Neither wild nor strange
Hoping for food from my store
And shivering on the mat.

Let silence in.
She will rarely speak or mew,
She will sleep on my bed
And all I have ever been
Either false or true
Will live again in my head.

For it is now or not
As old age silts the stream,
To shove away the clutter,
To untie every knot,
To take the time to dream,
To come back to still water.

"New Year Resolve" by May Sarton, from Collected Poems 1930-1993.

Wednesday, November 21, 2012

A Thanksgiving Poem


Thanksgiving Time

by Langston Hughes (1921)

When the night winds whistle through the trees and blow the crisp brown leaves a-crackling down,
When the autumn moon is big and yellow-orange and round,
When old Jack Frost is sparkling on the ground,
    It’s Thanksgiving Time!

When the pantry jars are full of mince-meat and the shelves are laden with sweet spices for a cake,
When the butcher man sends up a turkey nice and fat to bake,
When the stores are crammed with everything ingenious cooks can make,
    It’s Thanksgiving Time!

When the gales of coming winter outside your window howl,
When the air is sharp and cheery so it drives away your scowl,
When one’s appetite craves turkey and will have no other fowl,
    It’s Thanksgiving Time!


Happy Thanksgiving! 
Enjoy the long holiday weekend. I'll see you next week.

Saturday, October 27, 2012

Author Birthday: Sylvia Plath



The Bull of Bendylaw

by Sylvia Plath

The black bull bellowed before the sea.
The sea, till that day orderly,
Hove up against Bendylaw.
The queen in the mulberry arbor stared
Stiff as a queen on a playing card.
The king fingered his beard.

A blue sea, four horny bull-feet,
A bull-snouted sea that wouldn't stay put,
Bucked at the garden gate.

Along box-lined walks in the florid sun
Toward the rowdy bellow and back again
The lords and ladies ran.

The great bronze gate began to crack,
The sea broke in at every crack,
Pellmell, blueblack.

The bull surged up, the bull surged down,
Not to be stayed by a daisy chain
Nor by any learned man.

O the king's tidy acre is under the sea,
And the royal rose in the bull's belly,
And the bull on the king's highway.

"The Bull of Bendylaw" by Sylvia Plath, from The Collected Poems. © Harper Perennial, 1981.


From today's Writer's Almanac:

It's the birthday of poet Sylvia Plath (books by this author), born in Boston (1932). She was an excellent student, and she went to Smith College with the help of a scholarship endowed by the writer Olive Higgins Prouty. One summer during college, she was chosen to be a guest editor for Mademoiselle magazine. She was only 20 years old, and she had already been published in Seventeen, Mademoiselle, The Christian Science Monitor, and other newspapers. Her summer started off well. She went to lots of parties and discovered that she loved vodka. But she was having trouble writing poetry and short stories, and she worried that she was a failure as a writer. Then she got notice that she had not been accepted for an advanced creative writing course at Harvard, taught by the writer Frank O'Connor. She was so depressed that she attempted suicide. Her benefactress, Olive Prouty, paid for her stay in a mental hospital and psychiatric care.


Plath returned to Smith and graduated with highest honors in 1955. She won a Fulbright scholarship to study at Cambridge University, and there she met and married the poet Ted Hughes. In 1960, she gave birth to a daughter and published The Colossus, the only book of her poems to be published during her lifetime. It got minor reviews in various British publications. In 1961, she was excited to find an American publisher; she wrote: "After all the fiddlings and discouragements from the little publishers, it is an immense joy to have what I consider THE publisher accept my book for America with such enthusiasm. They 'sincerely doubt a better first volume will be published this year.'" And on the date of its publication in 1962, Plath wrote to her mother: "My book officially comes out in America today. Do clip and send any reviews you see, however bad. Criticism encourages me as much as praise." But The Colossus was even less noticed in America than in England; there were only a handful of reviews, many of them just a paragraph long.

Plath decided to write a novel based on her experience during the summer when she worked at Mademoiselle. She referred to the novel as "a pot-boiler" to family and friends, but she had high hopes for it. She won a fellowship to work on the novel, and the fellowship was connected to the publishers Harper and Row; but once she finished it, the editors there rejected it — they thought it was overwritten and immature. The Bell Jar was published in England in January of 1961 under a pseudonym, Victoria Lucas. It got good reviews, but not great. A month later, Plath committed suicide.

Many people learned about Plath only after her death, reading her poems in obituaries and news stories. In the next couple of years, her poems appeared regularly in magazines like The New Yorker and The Atlantic Monthly. In 1965, a collection of poems called Ariel was published posthumously, and received major reviews in all the big papers and magazines. In Britain, Ariel sold 15,000 copies in its first 10 months, and Plath's popularity continued to rise. The Bell Jar was finally published in the United States and stayed on the New York Times best-seller list for six months.

Sylvia Plath wrote: "Everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt."

Saturday, September 22, 2012

Weekend Cooking: A Poem for Saturday




A Pot of Red Lentils
by Peter Pereira

simmers on the kitchen stove.
All afternoon dense kernels
surrender to the fertile
juices, their tender bellies
swelling with delight.

In the yard we plant
rhubarb, cauliflower, and artichokes,
cupping wet earth over tubers,
our labor the germ
of later sustenance and renewal.

Across the field the sound of a baby crying
as we carry in the last carrots,
whorls of butter lettuce,
a basket of red potatoes.

I want to remember us this way—
late September sun streaming through
the window, bread loaves and golden
bunches of grapes on the table,
spoonfuls of hot soup rising
to our lips, filling us
with what endures.

"A Pot of Red Lentils" by Peter Pereira, from Saying the World. © Copper Canyon Press, 2003.

Autumn, my favorite season, arrives at 10:49 this morning. Bright yellow mums have been purchased, the plates on my baker's rack have been changed, and soup ingredients are ready for the pot - chicken tortellini today.  Happy Fall!


Weekend Cooking, hosted at Beth Fish Reads, is open to anyone who has a food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, fabulous quotations, photographs. If your post is even vaguely foodie, feel free to grab the button and link up over the weekend.


Wednesday, June 13, 2012

A Poem for Wednesday



TO A CHILD DANCING IN THE WIND

by: W. B. Yeats (1865-1939)

Dance there upon the shore;
What need have you to care
For wind or water's roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool's triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind?

"To a Child Dancing in the Wind" is reprinted from Responsibilities. W.B. Yeats. New York: Macmillan, 1916.



From today's Writer's Almanac:

It's the birthday of the poet and playwright William Butler Yeats (books by this author), born in Dublin, Ireland (1865).

He grew up at a time when the nation of Ireland was struggling with its identity as an English colony. Most members of the Irish Protestant upper class were pro-British rule, and members of the Catholic middle class were pro-independence. It didn't help the two sides get along that Catholics were denied equal access to education, jobs, and government positions. Yeats grew up in a Protestant family, but he only cared about poetry.

In 1889, he met Maud Gonne, a beautiful actress who had become an activist and who spoke out for Irish nationalism and independence. She became the love of his life. She inspired him to use his writing as a force for national unity. Yeats came to believe that if he could get in touch with the deep, mythic history of the Irish people, he could pull the country together with poetry. Yeats spent years writing plays about Irish nationalism for Maud Gonne to star in. But by 1910, Maud Gonne had married someone else and Yeats had given up on trying to win her love. He also gave up on the idea of writing poetry for the collective soul of Ireland, and wrote instead for himself.

At the same time that he stopped trying to use poetry as a political force, he started getting directly involved in politics, and served for six years in the Irish senate. In 1922, he witnessed the end of the English occupation in all but the northern counties of Ireland. He died in 1939. A few weeks before he died, he wrote: "Man can embody truth but he cannot know it."

Saturday, May 26, 2012

Saturday Snapshot #2


The poem from today's Writer's Almanac reminded me of a favorite photo taken in 1997. These are my three daughters (one with braids) in their "bright-colored jackets". The "rocky shore of the lake" is actually the sandy, shell covered beach of Captiva, Florida.


Happiness
by Joyce Sutphen

This was when my daughters were just children
playing on the rocky shore of the lake,

their hair in braids, their bright-colored jackets
tied around their waists. It was afternoon,

the shadows falling away, their faces
glowing with light. Whatever we said then

(and it must have been happy; it must have
been hopeful) is lost as I am now lost

from that life I lived. This was when nothing
that I wanted mattered, though all I wanted

was happiness, pure happiness, simple
as strawberries and cream in a saucer,

as curtains floating from a window sill,
as small pairs of shoes arranged in a row.

"Happiness" by Joyce Sutphen, from First Words. © Red Dragonfly Press, 2010.


Saturday Snapshot is hosted by:
Alyce from At Home With Books


Find details and more photos here.

Monday, March 26, 2012

A Poem for Monday


"A Prayer in Spring"  by Robert Frost

Oh, give us pleasure in the flowers today;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure in the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy in the happy bees,
The swarm dilating round the perfect trees.

And make us happy in the darting bird
That suddenly above the bees is heard,
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
The which it is reserved for God above
To sanctify to what far ends He will,
But which it only needs that we fulfill.



From today's Writer's Almanac:


It's the birthday of Robert Frost (1874) (books by this author). Born in San Francisco, he moved to Massachusetts when he was 11. He struggled a long time to become a successful poet. His style was out of fashion almost from the beginning — he was interested in the traditional forms of rhyme and meter, while his contemporaries such as Ezra Pound, William Carlos Williams, and T. S. Eliot were writing in modern free verse.

His early years were often rough. His father was a heavy drinker and died of tuberculosis when Frost was twelve years old, leaving the family impoverished. He had to drop out of college during his first year to work, and tried unsuccessfully to publish poetry. Frost was seriously depressed; at one point he followed a trail into the Dismal Swamp and considered drowning himself. He walked all night through the swamp, but something made him decide to head back home. He worked as teacher for a few years, but he never enjoyed it. Then, in 1900, he and his wife, Elinor, lost their first child. He fell into despair. That year, Frost tried his hand at raising poultry on 30-acre farm after his grandfather took pity on him and bought him a farm in Derry, New Hampshire, in hopes that it would give him a steady income. The experience shaped his poetic voice and provided inspiration for his most popular later poems, but he was a terrible farmer. In a letter to a friend, Frost wrote, "The only thing we had was time and seclusion."

He was 39 when he published his first collection of poems, A Boy's Will (1913), and it was a major success.

Wednesday, February 22, 2012

Poet Birthday: Edna St. Vincent Millay

View from Mt. Battie - Camden, Maine

Today is the birthday of poet Edna St. Vincent Millay, born in Rockland, Maine (1892).  After her parents divorced in 1900, Millay moved with her sisters and mother to Camden, Maine. Edna was in high school when she submitted a poem, "Renascence," to a poetry contest. She didn't win the contest, but one of the judges fell in love with her, and almost divorced his wife. She performed "Renascence" at a poetry reading, and a woman in the audience was so impressed that she paid Edna's way to Vassar College.

*click to enlarge

The above marker is at the top of Mt. Battie; I like to imagine she wrote this poem here.

Afternoon on a Hill

I will be the gladdest thing
    Under the sun!
I will touch a hundred flowers
    And not pick one.

I will look at cliffs and clouds
    With quiet eyes,
Watch the wind bow down the grass,
    And the grass rise.

And when lights begin to show
    Up from the town,
I will mark which must be mine,
    And then start down!

Friday, December 9, 2011

The Hunchback of Neiman Marcus by Sonya Sones

The Hunchback of Neiman Marcus: A Novel About Marriage, Motherhood, and Mayhem
by Sonya Sones
Harper, 2011
420 pages
source: borrowed

In a nutshell:
The Hunchback of Neiman Marcus is a coming-of-middle-age story told in verse.

My thoughts:
Holly is turning 50, sending her only child off to college, and desperately trying write a book. She's also dealing with wildly fluctuating hormones, an empty nest, an aging mother in the midst of a health crisis, editorial deadlines, and a husband who may or may not be fooling around. And that's just for starters.

Under normal circumstances I wouldn't consider reading a novel in verse, but The Hunchback of Neiman Marcus came with Sandy's personal assurance that I'd love it - and Sandy has never steered me wrong. Every woman of 'a certain age' will be able to identify with at least some of the issues Holly faces. You may even find yourself asking "Could she be writing about my life?"

This book is well-suited to the busy month of December.  It reads quickly - perfect for several short bursts, or you can read the entire novel in a sitting or two. One cautionary note: Be careful where you read it. You may burst out in laughter in inappropriate places or, like me, cry while waiting in the dentist's office.

Favorite poems:

HOW DO U NO WHEN UR OLD?

Well, you are old
if you had trouble understanding
the title of this poem.

You are old
if you have no idea who that person is
who's hosting Saturday Night Live.

You are old
if before you head off
on your morning run

you find yourself
tucking your husband's
cell phone number in your pocket

so that the paramedics
will know
who to call.


AFTER WE KISS SAMANTHA GOODNIGHT

Michael and I watch her
skip off down the sidewalk
with her new roommates,

the four of them already a unit,
their bursts of laughter floating back to us
as they disappear around a corner,

happier
than a litter
of leashless pups.

Then, the two of us
head out into the night,
hand in silent hand,

to find
the nearest
liquor store.



MARRIAGE IS A FIRE

First it burns with desire,
with uncontrolled lust.

You touch each other
and you combust.

But if no one remembers
to stir the embers,

to feed them, poke them,
tend them, stoke them,

the blaze that once sizzled
will sputter and fizzle.

Which is why
I always say:

thank the Lord
for lingerie.

And take a look at this poem:
(click to enlarge)


















My rating:



Bottom Line:
As Sandy would say, "You've GOTTA read this!"

Monday, October 31, 2011

A Poem for Halloween




Theme in Yellow
by Carl Sandburg

I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.

*photo credit

Saturday, May 7, 2011

Weekend Cooking: A Food Poem



The Health-Food Diner
     by Maya Angelou

No sprouted wheat and soya shoots
And Brussels in a cake,
Carrot straw and spinach raw,
(Today, I need a steak).

Not thick brown rice and rice pilaw
Or mushrooms creamed on toast,
Turnips mashed and parsnips hashed,
(I'm dreaming of a roast).

Health-food folks around the world
Are thinned by anxious zeal,
They look for help in seafood kelp
(I count on breaded veal).

No smoking signs, raw mustard greens,
Zucchini by the ton,
Uncooked kale and bodies frail
Are sure to make me run

to

Loins of pork and chicken thighs
And standing rib, so prime,
Pork chops brown and fresh ground round
(I crave them all the time).

Irish stews and boiled corned beef
and hot dogs by the scores,
or any place that saves a space
For smoking carnivores.

National Poetry Month may be over, but this turned up on Better Recipe's facebook page a few days ago and it made me laugh out loud. A quick search uncovered the story behind the poem. (I knew there had to be one!)

Sometime during the 1980's,  Angelou entered a vegetarian restaurant where smoking was prohibited. There were no visible “No Smoking” signs and upon lighting up she was scolded by a waitress for endangering the health of the other patrons. She has since quit smoking, but I'm not sure of her current position on vegetarian meals...
*photo credit

Weekend Cooking, hosted at Beth Fish Reads, is open to anyone with a food-related post to share: Book (novel, nonfiction) reviews, cookbook reviews, movie reviews, recipes, random thoughts, gadgets, fabulous quotations, photographs. If your post is even vaguely foodie, feel free to grab the button, head over to Beth Fish Reads, and link up anytime over the weekend.

Monday, April 18, 2011

Celebrating Poetry: What's That Smell in the Kitchen?


by Marge Piercy

All over America women are burning dinners.
It's lambchops in Peoria: it's haddock
in Providence; it's steak in Chicago:
tofu delight in Big Sur; red rice and beans in Dallas.
All over America women are burning food they're supposed to bring with calico smile on
platters glittering like wax.
Anger sputters in her brainpan, confined but spewing out missiles of hot fat.
Carbonized despair presses like a clinker
from a barbecue against the back of her eyes.
If she wants to grill anything, it's
her husband spitted over a slow fire.
If she wants to serve him anything it's a dead rat with a bomb in its belly ticking like the
heart of an insomniac.
Her life is cooked and digested,
nothing but leftovers in Tupperware.
Look, she says, once I was roast duck
on your platter with parsley but now I am Spam.
Burning dinner is not incompetence but war.

from Circles on the Water: Selected Poems of Marge Piercy
photo credit

**************
I'm a poetry novice, and this one has left me speechless. Anger is not an emotion I tend to associate with poetry. But, why not?  Poetry gives voice to a wide range of feelings with keen and often profound insight.  When I read this to my husband, he responded "How about take-out tonight, dear?"

April is National Poetry Month. I'm posting a poem each week in celebration.

Tuesday, April 12, 2011

Celebrating Poetry: Mirror by Sylvia Plath



I am silver and exact. I have no preconceptions.
Whatever I see, I swallow immediately.
Just as it is, unmisted by love or dislike
I am not cruel, only truthful –
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me.
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

***************
April is National Poetry Month.
Read more about Sylvia Plath here.

Tuesday, April 5, 2011

Celebrating Poetry: I Worried by Mary Oliver



I Worried
by Mary Oliver

I worried a lot.  Will the garden grow, will the rivers
flow in the right direction, will the earth turn
as it was taught, and if not how shall
I correct it?

Was I right, was I wrong, will I be forgiven,
can I do better?

Will I ever be able to sing, even the sparrows
can do it and I am, well,
hopeless.

Is my eyesight fading or am I just imagining it,
am I going to get rheumatism,
lockjaw, dementia?

Finally I saw that worrying had come to nothing.
And gave it up.  And took my old body
and went out into the morning,
and sang.

From Swan

April is National Poetry Month. I'll share a poem each week to celebrate.

Thursday, December 2, 2010

Literary Blog Hop: Poetry

The Literary Blog Hop is hosted at The Blue Bookcase. Our question this week comes from Gary at Parrish Lantern:

What is your favorite poem and why?

Poetry intimidated me. In fact, I hadn't read poetry since my high school English classes.  That changed earlier this year when I won a copy of Poetry Speaks Who I Am from Bellezza.  Inside, I found this poem about a kitchen table:

Perhaps the World Ends Here
by Joy Harjo

The world begins at a kitchen table. No matter what, we
must eat to live.

The gifts of earth are brought and prepared, set on the table.
So it has been since creation, and it will go on.

We chase chickens or dogs away from it. Babies teethe at the
corners. They scrape their knees under it.

It is here that children are given instructions on what it
means to be human. We make men at it, we make women.

At this table we gossip, recall enemies and the ghosts of lovers.

Our dreams drink coffee with us as they put their arms
around our children. They laugh with us at our poor falling-
down selves and as we put ourselves back together once
again at the table.

This table has been a house in the rain, an umbrella
in the sun.

Wars have begun and ended at this table. It is a
place to hide in the shadow of terror. A place to
celebrate the terrible victory.

We have given birth on this table, and have prepared
our parents for burial here.

At this table we sing with joy, with sorrow. We
pray of suffering and remorse. We give thanks.

Perhaps the world will end at the kitchen table,
while we are laughing and crying, eating of the last
sweet bite.

Finally, a poem that spoke to me! "Perhaps the World Ends Here" is the poem that gave me the courage to give poetry a second chance.
Find my complete review of Poetry Speak Who I Am here.

Visit The Blue Bookcase for links to other participants.




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