The Bull of Bendylaw
by Sylvia Plath
The black bull bellowed before the sea.
The sea, till that day orderly,
Hove up against Bendylaw.
The queen in the mulberry arbor stared
Stiff as a queen on a playing card.
The king fingered his beard.
A blue sea, four horny bull-feet,
A bull-snouted sea that wouldn't stay put,
Bucked at the garden gate.
Along box-lined walks in the florid sun
Toward the rowdy bellow and back again
The lords and ladies ran.
The great bronze gate began to crack,
The sea broke in at every crack,
Pellmell, blueblack.
The bull surged up, the bull surged down,
Not to be stayed by a daisy chain
Nor by any learned man.
O the king's tidy acre is under the sea,
And the royal rose in the bull's belly,
And the bull on the king's highway.
"The Bull of Bendylaw" by Sylvia Plath, from
The Collected Poems. © Harper Perennial, 1981.
From today's
Writer's Almanac:
It's the birthday of poet
Sylvia Plath (
books by this author), born in Boston (1932). She was an excellent student, and she went to Smith College with the help of a scholarship endowed by the writer Olive Higgins Prouty. One summer during college, she was chosen to be a guest editor for
Mademoiselle magazine. She was only 20 years old, and she had already been published in
Seventeen,
Mademoiselle,
The Christian Science Monitor, and other newspapers. Her summer started off well. She went to lots of parties and discovered that she loved vodka. But she was having trouble writing poetry and short stories, and she worried that she was a failure as a writer. Then she got notice that she had not been accepted for an advanced creative writing course at Harvard, taught by the writer Frank O'Connor. She was so depressed that she attempted suicide. Her benefactress, Olive Prouty, paid for her stay in a mental hospital and psychiatric care.
Plath returned to Smith and graduated with highest honors in 1955. She won a Fulbright scholarship to study at Cambridge University, and there she met and married the poet Ted Hughes. In 1960, she gave birth to a daughter and published
The Colossus, the only book of her poems to be published during her lifetime. It got minor reviews in various British publications. In 1961, she was excited to find an American publisher; she wrote: "After all the fiddlings and discouragements from the little publishers, it is an immense joy to have what I consider THE publisher accept my book for America with such enthusiasm. They 'sincerely doubt a better first volume will be published this year.'" And on the date of its publication in 1962, Plath wrote to her mother: "My book officially comes out in America today. Do clip and send any reviews you see, however bad. Criticism encourages me as much as praise." But
The Colossus was even less noticed in America than in England; there were only a handful of reviews, many of them just a paragraph long.
Plath decided to write a novel based on her experience during the summer when she worked at
Mademoiselle. She referred to the novel as "a pot-boiler" to family and friends, but she had high hopes for it. She won a fellowship to work on the novel, and the fellowship was connected to the publishers Harper and Row; but once she finished it, the editors there rejected it — they thought it was overwritten and immature.
The Bell Jar was published in England in January of 1961 under a pseudonym, Victoria Lucas. It got good reviews, but not great. A month later, Plath committed suicide.
Many people learned about Plath only after her death, reading her poems in obituaries and news stories. In the next couple of years, her poems appeared regularly in magazines like
The New Yorker and
The Atlantic Monthly. In 1965, a collection of poems called
Ariel was published posthumously, and received major reviews in all the big papers and magazines. In Britain,
Ariel sold 15,000 copies in its first 10 months, and Plath's popularity continued to rise.
The Bell Jar was finally published in the United States and stayed on the New York Times best-seller list for six months.
Sylvia Plath wrote: "Everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt."